Where is "this side" in the works of Boris Grebenshchikov?

60th anniversary of Boris Grebenshchikov

The end of November marked a significant date - the 60th birthday of Boris Grebenshchikov, known as the founder of the legendary rock band Aquarium and awarded the Order of Merit for the Fatherland, IV degree. While many remembered his musical achievements, not everyone noticed an important aspect of his work - his foreignreal estate.

Creativity and real estate

In one of his songs written in the early 80s, he talks about the search for a "new beautiful home," and in another, he hints that he "could offer housing beyond the light of day." This might be one of the first works in the Russian underground that touches on the theme of acquiring housing. So where exactly is this mysterious place? Probably outside of Russia, as in his lyrics, Grebenshchikov often reflects on his homeland: "Well, where are you planning to go?" It seems he realizes that the main priority is to leave, and what happens next is not as important.

Interest in foreignreal estate

Does he really not care about the fate of future travels? In one of his songs, the poet expresses a desire: "I would like to lean on a plane tree." Perhaps he is referring to the tree near Athens, where just recently another famous artist, Nikita Dzhigурда, bought a property. Plane trees also grow on sunny Cyprus, where villa prices are approaching 300-400 thousand euros. It is possible that Grebenshchikov also dreams of real estate in Bulgaria.

Reflections on Bulgaria

In the song "General Skobelev," he mentions the "island of women," from which flowers take flight. This military leader became a symbol of Bulgaria's liberation during the Russo-Turkish War of 1877-1878. Since it is known that St. Anastasia Island is located near Burgas, one can assume that he is referring to this picturesque place, famous for its favorable climate and high quality of life.

Northern Europe in creativity

Nevertheless, Boris Grebenshchikov continues to pay attention to Northern Europe. In the composition "Marina," he paints the image of a heroine who is aware of her beauty but reflects on the possibility that life may be hopeless, and she should consider marrying a Finn. Real estate analysts suggest that this mysterious Finn is mentioned later: in the song "General! Better to go to the dacha — to receive, general, acid from pine needles."

Dissatisfaction towards the Baltics

However, it is difficult to assume that Grebenshikov was close to the Baltic countries - his lines convey discontent: "Ferocious flax, Baltic palisade; I don't care how your movement to the north will end". He was probably surprised by unexpected changes in the rules for obtaining a residence permit in Latvia.

Division of worlds and aspirations

In the texts of Boris Grebenshchikov, one can hear reflections on the division of worlds: "One looks to the west with amazement, while the other gazes at the east with delight." He masterfully handles both roles, as the theme of real estate in the Asia-Pacific region holds as significant a place in his works as the European one.

Conclusion

The dream of a "journey with a bag of kefir to the Great Wall" may indicate his ambitious plans, and it is in the moonless night that he should gain a true understanding of existence.

Interest in foreignreal estate

The composition "Tramontana" illustrates the growing interest of Chinese investors in overseas real estate. However, Boris Borisovich is not limited to just China's interest; he is also exploring housing opportunities in India, in regions like Kalimpong and Darjeeling, where, in his own words, "Earl Grey flows abundantly." His reflections also carry a Tibetan theme — he dreams of a journey from Nepal to Sikkim along mysterious mountain trails, contemplating how "we will forget about everyday matters and retreat to Tibet."

Dreams of the Alps

It is possible that over time Boris will come to prefer life in the Alps, as he hints when he talks about his desire to "get rid of the work under this bridge and go to a country with blue peaks, like a little fairy." However, as is often the case with creative people, his preferences may change. In the song "We Are Being Sold," he expresses dissatisfaction with the mountainous regions, noting: "once we sought mountain horizons, but now we don't care." Instead, he focuses on the popular seaside resorts of Spain, which, of course, sounds familiar and close to the heart of a sailor.

Real estate in Spain

For example, in Palamos, located on the Costa Brava coast, his business partners have the opportunity to offer Boris Borisovich a new apartment, priced between 200,000 and 250,000 euros. Additionally, in his work "The Matter is with Me," he discusses his interest in real estate in the Balearic Islands, almost taking a step towards a decision to purchase: "I have been to Ibiza and to Kremlin land, and I have come to the conclusion — the matter is with me."

The American real estate market

Boris Grebenshchikov has deep knowledge of real estate in the United States and knows where to find interesting options: in San Francisco on Indiana Street, unforgettable marijuana palms grow, possessingunattainable beautyand guarded by "blue cops." Interest in the American coast is also evident in his songs, for example, in "Ancient Russian Melancholy," where he sings about Prince Vladimir, "cursing, steering on a board in the sea," as well as in "Blow," where it says: "the wind from the ocean comes to me through the window." In the same composition "Ancient Russian Melancholy," he does not forget to mention Italy: "Dobrynya spat on Russia and is now inMilan doing gas repairs."

Geographic motifs

By opening your astral vision, you can discover a multitude of architectural wonders throughout the world in the multifaceted poetry of "Akvarium".

• from the UK ("met Lagerfeld; I look — I ended up on Oxford Street")
• to Israel ("your star shalom, indescribably simple")
• and even Australia ("Adelaide").

Nevertheless, the most vibrant geographical motifs in Boris Grebenshchikov's work are found in France, especially Paris. This is clearly evident in the poetic interlude from the album "Triangle," where he seeks to explore the enchanting corners of this picturesque city.

Latin Quarter

Later, in the song "Garçon Number Two," the protagonist goes for a walk in the Latin Quarter, which, by the way, is currently a very attractive place for investing in Parisian real estate. This area has become a symbol of cultural and economic prosperity, attracting interest not only from locals but also from investors from all over the world. Studying the works of Boris Grebenshchikov, one can notice how skillfully he weaves both real and fictional images into his creations, creating a unique multilayeredness that reflects his aspirations and dreams about various corners of our world.

Conclusion

In conclusion, I would like to emphasize how diverse and multifaceted Boris Grebenshchikov's creative world is. His music and lyrics, woven into the context of life, reflect not only the author's personal experiences but also the breadth of his views on global spaces. Grebenshchikov, with such a rich picture of foreignreal estate in his songs, demonstrates that his interests are not limited to just cultural or musical boundaries.

As I pay attention to his lyrics, I realize that they contain profound philosophical reflections on home, place and belonging, something that is near and familiar to many of us. His words are a kind of guide to a desirable geography in which the collision of different cultures and eras creates a unique symphony.

Perhaps, through the lens of his texts, one can see how the plane trees and flowers he mentions become symbols of the search for and striving towards something greater. This reflects a desire to find one's place in the sun, whether it be the bustling streets of Paris or the secluded beaches of Costa Brava. Grebenshchikov seems to invite us all to reflect on what is truly important in life, what significance home holds for us—whether it is a physical space or an inner state.

Results of the anniversary

Thus, Boris Grebenshchikov's anniversary became not only a time to celebrate his contribution to culture but also an opportunity to gain a deeper understanding of his creative journey, to immerse oneself in his thoughts, and to appreciate the unique linguistic environment in which he works. His songs are more than just music; they are a window into reflections on life, love, and the search for one's place in the world.

All of this makes his phenomenon even more impressive and significant for many generations of listeners.